What is he best known for?
The fields of study he is best known for:
- Cognition
- Neuroscience
- Internal medicine
His main research concerns Cognitive psychology, Communication, Rhythm, Musical and Mismatch negativity.
Peter Vuust has included themes like Active listening, Anticipation, Perception and Comprehension in his Cognitive psychology study.
His biological study spans a wide range of topics, including Tapping, Context, Jazz and Brain mapping.
As a part of the same scientific study, Peter Vuust usually deals with the Rhythm, concentrating on Pleasure and frequently concerns with Music psychology and Cognitive science.
His Musical research integrates issues from Memory span, Audiology and Competence.
His Mismatch negativity research focuses on Event-related potential and how it relates to Tonic, Cadence, Chord, Diatonic scale and Auditory perception.
His most cited work include:
- Follow you, follow me: Continuous mutual prediction and adaptation in joint tapping (240 citations)
- To musicians, the message is in the meter pre-attentive neuronal responses to incongruent rhythm are left-lateralized in musicians. (188 citations)
- Predictive coding of music--brain responses to rhythmic incongruity. (158 citations)
What are the main themes of his work throughout his whole career to date?
Cognitive psychology, Rhythm, Audiology, Musical and Mismatch negativity are his primary areas of study.
His Cognitive psychology study integrates concerns from other disciplines, such as Communication, Active listening, Pleasure, Functional magnetic resonance imaging and Anticipation.
He works mostly in the field of Communication, limiting it down to topics relating to Auditory perception and, in certain cases, Chord, as a part of the same area of interest.
His studies deal with areas such as Beat and Perception as well as Rhythm.
His Audiology study combines topics from a wide range of disciplines, such as Neural correlates of consciousness, Angular gyrus, Cognition, Fibromyalgia and Pitch Discrimination.
His work in Mismatch negativity tackles topics such as Magnetoencephalography which are related to areas like Auditory cortex.
He most often published in these fields:
- Cognitive psychology (38.01%)
- Rhythm (26.70%)
- Audiology (25.79%)
What were the highlights of his more recent work (between 2019-2021)?
- Cognitive psychology (38.01%)
- Musical (20.81%)
- Neuroscience (18.10%)
In recent papers he was focusing on the following fields of study:
Peter Vuust mostly deals with Cognitive psychology, Musical, Neuroscience, Rhythm and Active listening.
Peter Vuust combines subjects such as Context, Functional magnetic resonance imaging, Dynamics, Melody and Preference with his study of Cognitive psychology.
His Context research focuses on subjects like Auditory system, which are linked to Mismatch negativity, Neural correlates of consciousness and Sensory Adaptation.
His research in Musical intersects with topics in Creativity, Jazz, Cognitive science, Cognitive neuroscience and Improvisation.
The various areas that Peter Vuust examines in his Rhythm study include Perception, Audiology, Electroencephalography, Pleasure and Beat.
The Active listening study combines topics in areas such as Feature, Speech recognition, Neuroimaging, Tapping and Beat.
Between 2019 and 2021, his most popular works were:
- The chronnectome of musical beat. (9 citations)
- The sensation of groove engages motor and reward networks. (8 citations)
- The sensation of groove engages motor and reward networks. (8 citations)
In his most recent research, the most cited papers focused on:
- Cognition
- Neuroscience
- Internal medicine
His primary areas of investigation include Functional magnetic resonance imaging, Mismatch negativity, Perception, Cognitive psychology and Insula.
His Functional magnetic resonance imaging study combines topics in areas such as Stimulus, Inference, Multimodal learning and Piano, Piano sonata.
His study in Mismatch negativity is interdisciplinary in nature, drawing from both Timbre, Melody and Audiology.
His Perception research incorporates elements of Centrality, Rhythm, Default mode network and Beat.
His Rhythm research is multidisciplinary, relying on both Nucleus accumbens, Pleasure, Putamen, Sensation and Basal ganglia.
The concepts of his Cognitive psychology study are interwoven with issues in Brain activity and meditation, Neuroimaging, Music information retrieval and Active listening.
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