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Emmanuel Bigand

Emmanuel Bigand

D-Index & Metrics

Psychology

D-Index
50
Citations
9365
World Ranking
5460
National Ranking
39

Overview

Emmanuel Bigand is affiliated with the University of Burgundy in France. Their research primarily focuses on neuroscience, with a notable emphasis on cognitive neuroscience and its intersection with music perception and hearing. The work demonstrates multidisciplinary approaches that integrate social psychology, speech and hearing, experimental and cognitive psychology, and music studies.

The main topics covered in their research include:

  • Neuroscience and Music Perception
  • Hearing Loss and Rehabilitation
  • Music Therapy and Health
  • Noise Effects and Management
  • Multisensory Perception and Integration
  • Diverse Music Education Insights
  • Spatial Neglect and Hemispheric Dysfunction

Recent notable publications by Emmanuel Bigand include:

  • "Near and far transfer: Is music special?" (2021) published in Memory & Cognition
  • "You got rhythm, or more: The multidimensionality of rhythmic abilities" (2022) published in Attention Perception & Psychophysics
  • "Participation of Acoustic and Electric Hearing in Perceiving Musical Sounds" (2021) published in Frontiers in Neuroscience
  • "Recognition of musical emotions and their perceived intensity after unilateral brain damage" (2020) published in Cortex
  • "Positive and Detached Reappraisal of Threatening Music in Younger and Older Adults" (2020) published in Frontiers in Human Neuroscience

Frequent co-authors collaborating with Emmanuel Bigand are:

  • Barbara Tillmann
  • Philippe Lalitte
  • C. Guigou
  • Alexis Bozorg Grayeli
  • Anna Fiveash

The research has been disseminated through various publication venues, reflecting a broad scientific scope:

  • Memory & Cognition
  • Attention Perception & Psychophysics
  • Frontiers in Neuroscience
  • Cortex
  • Frontiers in Human Neuroscience

Emmanuel Bigand's scientific contributions highlight an integration of neuroscience with practical issues related to music perception, auditory health, and rehabilitation. This body of work involves exploring how music interacts with brain functions, cognition, and emotional processing, often within populations experiencing sensory or neurological challenges.

Best Publications

  • Are we "experienced listeners"? A review of the musical capacities that do not depend on formal musical training.

    E. Bigand;B. Poulin-Charronnat

  • Implicit learning of tonality: A self-organizing approach

    Barbara Tillmann;Jamshed J. Bharucha;Emmanuel Bigand

  • Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts

    E. Bigand;S. Vieillard;F. Madurell;J. Marozeau

  • Thinking in sound : the cognitive psychology of human audition

    Stephen McAdams;Emmanuel Bigand

  • Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training

    Emmanuel Bigand;Richard Parncutt;Fred Lerdahl

  • Cognitive priming in sung and instrumental music: Activation of inferior frontal cortex

    B. Tillmann;S. Koelsch;N. Escoffier;E. Bigand

  • Tapping in Time with Mechanically and Expressively Performed Music

    Carolyn Drake;Amandine Penel;Emmanuel Bigand

  • Global context effects on musical expectancy

    E. Bigand;M. Pineau

  • Perceiving musical tension in long chord sequences.

    Emmanuel Bigand;Richard Parncutt

  • Effect of global structure and temporal organization on chord processing

    Emmanuel Bigand;François Madurell;Barbara Tillmann;Marion Pineau

  • Sensory Versus Cognitive Components in Harmonic Priming

    Emmanuel Bigand;Benedicte Poulin;Barbara Tillmann;Francois Madurell

  • Different Brain Mechanisms Mediate Sensitivity to Sensory Consonance and Harmonic Context: Evidence from Auditory Event-Related Brain Potentials

    Pascaline Regnault;Emmanuel Bigand;Mireille Besson

  • The effect of harmonic context on phoneme monitoring in vocal music

    E Bigand;B Tillmann;B Poulin;D.A D'Adamo

  • Children's implicit knowledge of harmony in Western music

    E. Glenn Schellenberg;E. Glenn Schellenberg;Emmanuel Bigand;Benedicte Poulin-Charronnat;Cecilia Garnier

  • Musical structure modulates semantic priming in vocal music

    Bénédicte Poulin-Charronnat;Emmanuel Bigand;François Madurell;François Madurell;Ronald Peereman

  • The time course of emotional responses to music.

    Emmanuel Bigand;Suzanne Filipic;Philippe Lalitte

  • Music, emotion, and time perception: the influence of subjective emotional valence and arousal?

    Sylvie Droit-Volet;Danilo Ramos;José L. O. Bueno;Emmanuel Bigand

  • Effects of Global and Local Contexts on Harmonic Expectancy

    B. Tillmann;E. Bigand;M. Pineau

  • Music improves verbal memory encoding while decreasing prefrontal cortex activity: an fNIRS study.

    Laura Ferreri;Jean-Julien Aucouturier;Makii Muthalib;Emmanuel Bigand

  • Time flies with music whatever its emotional valence.

    Sylvie Droit-Volet;Emmanuel Bigand;Danilo Ramos;José Lino Oliveira Bueno

  • The Relative Importance of Local and Global Structures in Music Perception

    Barbara Tillmann;Emmanuel Bigand

Frequent Co-Authors

Barbara Tillmann
Barbara Tillmann Laboratory for Research on Learning and Development
Stephen McAdams
Stephen McAdams McGill University
Séverine Samson
Séverine Samson University of Lille
Isabelle Peretz
Isabelle Peretz University of Montreal
Sylvie Droit-Volet
Sylvie Droit-Volet University of Clermont Auvergne
Sylvie Belleville
Sylvie Belleville University of Montreal
E. Glenn Schellenberg
E. Glenn Schellenberg University of Toronto
Stefan Koelsch
Stefan Koelsch University of Bergen
Sonja A. Kotz
Sonja A. Kotz Maastricht University
Pierre Perruchet
Pierre Perruchet University of Burgundy

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