D-Index & Metrics Best Publications

D-Index & Metrics D-index (Discipline H-index) only includes papers and citation values for an examined discipline in contrast to General H-index which accounts for publications across all disciplines.

Discipline name D-index D-index (Discipline H-index) only includes papers and citation values for an examined discipline in contrast to General H-index which accounts for publications across all disciplines. Citations Publications World Ranking National Ranking
Psychology D-index 39 Citations 7,165 132 World Ranking 5939 National Ranking 50

Overview

What is he best known for?

The fields of study he is best known for:

  • Cognition
  • Artificial intelligence
  • Cognitive psychology

His primary areas of investigation include Cognitive psychology, Chord, Perception, Cognition and Musical. His research investigates the connection between Cognitive psychology and topics such as Social psychology that intersect with issues in Sequence learning, Explicit knowledge and Dissociation. Emmanuel Bigand works mostly in the field of Chord, limiting it down to topics relating to Artificial neural network and, in certain cases, Tonality, as a part of the same area of interest.

His studies in Perception integrate themes in fields like Musical syntax, Speech recognition, Range and Priming. His studies deal with areas such as Sensory system, Cognitive science and Music psychology as well as Cognition. His Musical research is multidisciplinary, relying on both Duration, Psychoacoustics, Matrix and Communication.

His most cited work include:

  • Implicit learning of tonality: A self-organizing approach (342 citations)
  • Are we "experienced listeners"? A review of the musical capacities that do not depend on formal musical training. (335 citations)
  • Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts (271 citations)

What are the main themes of his work throughout his whole career to date?

Emmanuel Bigand mainly focuses on Cognitive psychology, Musical, Perception, Communication and Cognition. The study incorporates disciplines such as Social psychology, Implicit learning, Timbre, Chord and Music psychology in addition to Cognitive psychology. His Musical research includes themes of Context, Duration and Psychoacoustics.

His Perception research integrates issues from Speech recognition, Movement and Active listening. The study incorporates disciplines such as Rhythm and Melody in addition to Communication. His Cognition research is multidisciplinary, incorporating elements of Rehabilitation and Feeling.

He most often published in these fields:

  • Cognitive psychology (56.59%)
  • Musical (44.19%)
  • Perception (24.03%)

What were the highlights of his more recent work (between 2014-2021)?

  • Cognitive psychology (56.59%)
  • Perception (24.03%)
  • Musical (44.19%)

In recent papers he was focusing on the following fields of study:

His scientific interests lie mostly in Cognitive psychology, Perception, Musical, Rhythm and Semantic memory. His Cognitive psychology study combines topics in areas such as Stimulus, Music psychology, Amusia, Episodic memory and Auditory Perceptual Disorder. His Music psychology research incorporates themes from Psychotherapist, Chord, Cognitive stimulation and Syntax.

Emmanuel Bigand has included themes like Developmental psychology, Cognition and Gaze in his Perception study. His Cognition study combines topics from a wide range of disciplines, such as Dementia and Auditory scene analysis. The Musical study combines topics in areas such as Valence, Emotion perception, Brain damage and Quality of life.

Between 2014 and 2021, his most popular works were:

  • Musical emotions in congenital amusia: Impaired recognition, but preserved emotional intensity. (13 citations)
  • Discrimination of tonal and atonal music in congenital amusia: The advantage of implicit tasks. (13 citations)
  • The Influence of Music on Prefrontal Cortex during Episodic Encoding and Retrieval of Verbal Information: A Multichannel fNIRS Study (12 citations)

In his most recent research, the most cited papers focused on:

  • Cognition
  • Artificial intelligence
  • Linguistics

His primary areas of study are Perception, Cognitive psychology, Auditory Perceptual Disorder, Amusia and Expressive Suppression. The various areas that Emmanuel Bigand examines in his Cognitive psychology study include Functional neuroimaging, Episodic memory and Brain mapping. His Auditory Perceptual Disorder study integrates concerns from other disciplines, such as Tonal system, Musical, Consciousness and Short-term memory.

His research integrates issues of Dissociation, Nonverbal communication, Music psychology, Categorization and Facial expression in his study of Amusia. Combining a variety of fields, including Expressive Suppression, Expression, Developmental psychology, Emotional intensity, Emotional expression and Gaze, are what the author presents in his essays. In his study, he carries out multidisciplinary Expression and Reactivity research.

This overview was generated by a machine learning system which analysed the scientist’s body of work. If you have any feedback, you can contact us here.

Best Publications

Implicit learning of tonality: A self-organizing approach

Barbara Tillmann;Jamshed J. Bharucha;Emmanuel Bigand.
Psychological Review (2000)

630 Citations

Are we "experienced listeners"? A review of the musical capacities that do not depend on formal musical training.

E. Bigand;B. Poulin-Charronnat.
Cognition (2006)

619 Citations

Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts

E. Bigand;S. Vieillard;F. Madurell;J. Marozeau.
Cognition & Emotion (2005)

502 Citations

Thinking in sound : the cognitive psychology of human audition

Stephen McAdams;Emmanuel Bigand.
Based on the fourth workshop in the Tutorial Workshop series organized by the Hearing Group of the French Acoustical Society. (1993)

392 Citations

Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training

Emmanuel Bigand;Richard Parncutt;Fred Lerdahl.
Attention Perception & Psychophysics (1996)

312 Citations

Cognitive priming in sung and instrumental music: Activation of inferior frontal cortex

B. Tillmann;S. Koelsch;N. Escoffier;E. Bigand.
NeuroImage (2006)

246 Citations

Tapping in Time with Mechanically and Expressively Performed Music

Carolyn Drake;Amandine Penel;Emmanuel Bigand.
Music Perception: An Interdisciplinary Journal (2000)

238 Citations

Global context effects on musical expectancy

E. Bigand;M. Pineau.
Attention Perception & Psychophysics (1997)

225 Citations

Sensory Versus Cognitive Components in Harmonic Priming

Emmanuel Bigand;Benedicte Poulin;Barbara Tillmann;Francois Madurell.
Journal of Experimental Psychology: Human Perception and Performance (2003)

191 Citations

Effect of global structure and temporal organization on chord processing

Emmanuel Bigand;François Madurell;Barbara Tillmann;Marion Pineau.
Journal of Experimental Psychology: Human Perception and Performance (1999)

191 Citations

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