His primary areas of investigation include Cognitive psychology, Chord, Perception, Cognition and Musical. His research investigates the connection between Cognitive psychology and topics such as Social psychology that intersect with issues in Sequence learning, Explicit knowledge and Dissociation. Emmanuel Bigand works mostly in the field of Chord, limiting it down to topics relating to Artificial neural network and, in certain cases, Tonality, as a part of the same area of interest.
His studies in Perception integrate themes in fields like Musical syntax, Speech recognition, Range and Priming. His studies deal with areas such as Sensory system, Cognitive science and Music psychology as well as Cognition. His Musical research is multidisciplinary, relying on both Duration, Psychoacoustics, Matrix and Communication.
Emmanuel Bigand mainly focuses on Cognitive psychology, Musical, Perception, Communication and Cognition. The study incorporates disciplines such as Social psychology, Implicit learning, Timbre, Chord and Music psychology in addition to Cognitive psychology. His Musical research includes themes of Context, Duration and Psychoacoustics.
His Perception research integrates issues from Speech recognition, Movement and Active listening. The study incorporates disciplines such as Rhythm and Melody in addition to Communication. His Cognition research is multidisciplinary, incorporating elements of Rehabilitation and Feeling.
His scientific interests lie mostly in Cognitive psychology, Perception, Musical, Rhythm and Semantic memory. His Cognitive psychology study combines topics in areas such as Stimulus, Music psychology, Amusia, Episodic memory and Auditory Perceptual Disorder. His Music psychology research incorporates themes from Psychotherapist, Chord, Cognitive stimulation and Syntax.
Emmanuel Bigand has included themes like Developmental psychology, Cognition and Gaze in his Perception study. His Cognition study combines topics from a wide range of disciplines, such as Dementia and Auditory scene analysis. The Musical study combines topics in areas such as Valence, Emotion perception, Brain damage and Quality of life.
His primary areas of study are Perception, Cognitive psychology, Auditory Perceptual Disorder, Amusia and Expressive Suppression. The various areas that Emmanuel Bigand examines in his Cognitive psychology study include Functional neuroimaging, Episodic memory and Brain mapping. His Auditory Perceptual Disorder study integrates concerns from other disciplines, such as Tonal system, Musical, Consciousness and Short-term memory.
His research integrates issues of Dissociation, Nonverbal communication, Music psychology, Categorization and Facial expression in his study of Amusia. Combining a variety of fields, including Expressive Suppression, Expression, Developmental psychology, Emotional intensity, Emotional expression and Gaze, are what the author presents in his essays. In his study, he carries out multidisciplinary Expression and Reactivity research.
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Implicit learning of tonality: A self-organizing approach
Barbara Tillmann;Jamshed J. Bharucha;Emmanuel Bigand.
Psychological Review (2000)
Are we "experienced listeners"? A review of the musical capacities that do not depend on formal musical training.
E. Bigand;B. Poulin-Charronnat.
Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts
E. Bigand;S. Vieillard;F. Madurell;J. Marozeau.
Cognition & Emotion (2005)
Thinking in sound : the cognitive psychology of human audition
Stephen McAdams;Emmanuel Bigand.
Based on the fourth workshop in the Tutorial Workshop series organized by the Hearing Group of the French Acoustical Society. (1993)
Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training
Emmanuel Bigand;Richard Parncutt;Fred Lerdahl.
Attention Perception & Psychophysics (1996)
Cognitive priming in sung and instrumental music: Activation of inferior frontal cortex
B. Tillmann;S. Koelsch;N. Escoffier;E. Bigand.
Tapping in Time with Mechanically and Expressively Performed Music
Carolyn Drake;Amandine Penel;Emmanuel Bigand.
Music Perception: An Interdisciplinary Journal (2000)
Global context effects on musical expectancy
E. Bigand;M. Pineau.
Attention Perception & Psychophysics (1997)
Sensory Versus Cognitive Components in Harmonic Priming
Emmanuel Bigand;Benedicte Poulin;Barbara Tillmann;Francois Madurell.
Journal of Experimental Psychology: Human Perception and Performance (2003)
Effect of global structure and temporal organization on chord processing
Emmanuel Bigand;François Madurell;Barbara Tillmann;Marion Pineau.
Journal of Experimental Psychology: Human Perception and Performance (1999)
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