Stephen McAdams mainly investigates Timbre, Acoustics, Speech recognition, Perception and Loudness. Stephen McAdams combines subjects such as Multidimensional scaling, Cognitive psychology, Set and Spectral centroid with his study of Timbre. His Acoustics study combines topics in areas such as Musical acoustics, Spectral envelope, Artificial intelligence and Identification.
In his study, Interval and Pitch Discrimination is strongly linked to Tone, which falls under the umbrella field of Speech recognition. Stephen McAdams has researched Perception in several fields, including Stimulus, Similarity and Cognition. Stephen McAdams interconnects Fundamental frequency and Psychoacoustics in the investigation of issues within Loudness.
Perception, Speech recognition, Acoustics, Timbre and Cognitive psychology are his primary areas of study. Stephen McAdams studied Perception and Musical that intersect with Context. His research in Speech recognition intersects with topics in Musical instrument, Soundscape, Space and Auditory perception.
The concepts of his Acoustics study are interwoven with issues in Spectral envelope and Frequency modulation. His biological study spans a wide range of topics, including Spectral centroid, Loudness, Psychoacoustics, Multidimensional scaling and Set. His research in Cognitive psychology tackles topics such as Melody which are related to areas like Linguistics.
His scientific interests lie mostly in Perception, Timbre, Speech recognition, Cognitive psychology and Musical. Stephen McAdams has researched Perception in several fields, including Acoustics, Orchestration, Musical acoustics and Set. His Acoustics research incorporates elements of Artificial intelligence and Pattern recognition.
His Timbre study incorporates themes from Loudness, Psychoacoustics, Music psychology, Formant and Cognitive science. His work carried out in the field of Speech recognition brings together such families of science as Musical instrument, Pitch, Categorization and Auditory perception. His Cognitive psychology research incorporates themes from Arousal, Musical form, Melody and Communication.
His primary areas of study are Timbre, Perception, Speech recognition, Melody and Social psychology. His work deals with themes such as Communication, Music psychology, Set, Tone and Auditory perception, which intersect with Timbre. His Perception research is multidisciplinary, relying on both Acoustics, Artificial intelligence and Pattern recognition.
His studies deal with areas such as Similarity, Centroid, Spectral centroid and Scrambling as well as Acoustics. His Speech recognition research includes elements of Musical instrument, Pitch, Loudness and Categorization. His Melody research integrates issues from Cognitive psychology, Cadence, Harpsichord, MIDI and Musical form.
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Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes
S. Mcadams;S. Winsberg;S. Donnadieu;G. De Soete.
Psychological Research-psychologische Forschung (1995)
Thinking in sound : the cognitive psychology of human audition
Stephen McAdams;Emmanuel Bigand.
Based on the fourth workshop in the Tutorial Workshop series organized by the Hearing Group of the French Acoustical Society. (1993)
The Timbre Toolbox: extracting audio descriptors from musical signals.
Geoffroy Peeters;Bruno L. Giordano;Patrick Susini;Nicolas Misdariis.
Journal of the Acoustical Society of America (2011)
Acoustic correlates of timbre space dimensions: a confirmatory study using synthetic tones.
Anne Caclin;Stephen McAdams;Bennett K. Smith;Suzanne Winsberg.
Journal of the Acoustical Society of America (2005)
Recognition of sound sources and events
Caractérisation du timbre des sons complexes.II. Analyses acoustiques et quantification psychophysique
J. Krimphoff;J. Krimphoff;S. McADAMS;S. McADAMS;S. Winsberg.
Journal De Physique Iv (1994)
Enhanced pure-tone pitch discrimination among persons with autism but not Asperger syndrome.
Anna Bonnel;Stephen McAdams;Bennett Smith;Claude Berthiaume.
News, Politics, and Negativity
Stuart Soroka;Stephen McAdams.
Political Communication (2015)
The representation of auditory source characteristics: Simple geometric form
Stephen Lakatos;Stephen McAdams;René Caussé.
Attention Perception & Psychophysics (1997)
The dependency of timbre on fundamental frequency
Jeremy Marozeau;Alain de Cheveigné;Stephen McAdams;Suzanne Winsberg.
Journal of the Acoustical Society of America (2003)
Profile was last updated on December 6th, 2021.
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