D-Index & Metrics Best Publications

D-Index & Metrics D-index (Discipline H-index) only includes papers and citation values for an examined discipline in contrast to General H-index which accounts for publications across all disciplines.

Discipline name D-index D-index (Discipline H-index) only includes papers and citation values for an examined discipline in contrast to General H-index which accounts for publications across all disciplines. Citations Publications World Ranking National Ranking
Psychology D-index 40 Citations 13,144 144 World Ranking 5575 National Ranking 3154

Research.com Recognitions

Awards & Achievements

1992 - Fellow of the American Psychological Association (APA)

1986 - Fellow of the American Association for the Advancement of Science (AAAS)

Overview

What is she best known for?

The fields of study she is best known for:

  • Cognition
  • Linguistics
  • Perception

The scientist’s investigation covers issues in Speech recognition, Communication, Tone, Pitch perception and Linguistics. Her Speech recognition study frequently draws connections between adjacent fields such as Long-term memory. Her Communication study integrates concerns from other disciplines, such as Rhythm, Music psychology, Musical composition, Music and emotion and Octave.

The Tone study combines topics in areas such as Relative pitch, Pitch Discrimination, Perception, Speech acquisition and Vowel. Her biological study spans a wide range of topics, including Octave illusion and Stimulus. Her Linguistics study incorporates themes from Developmental psychology, Music education and Musical note, Musical.

Her most cited work include:

  • Attention: Some theoretical considerations. (1447 citations)
  • The psychology of music (1085 citations)
  • Short-term memory (466 citations)

What are the main themes of her work throughout her whole career to date?

Her scientific interests lie mostly in Speech recognition, Perception, Acoustics, Tone and Communication. Her study in Speech recognition is interdisciplinary in nature, drawing from both Pitch class, Melody, Sequence, Pitch and Serial position effect. Her Perception research is multidisciplinary, incorporating elements of Cognitive psychology, Range, Musical, Tritone paradox and Tone.

Her work deals with themes such as Music and emotion and Music psychology, which intersect with Cognitive psychology. As a member of one scientific family, Diana Deutsch mostly works in the field of Tone, focusing on Octave and, on occasion, Pitch Discrimination. The various areas that Diana Deutsch examines in her Communication study include Recognition memory, Auditory perception and Retention interval.

She most often published in these fields:

  • Speech recognition (27.65%)
  • Perception (24.12%)
  • Acoustics (21.76%)

What were the highlights of her more recent work (between 2007-2021)?

  • Absolute pitch (16.47%)
  • Illusion (18.24%)
  • Acoustics (21.76%)

In recent papers she was focusing on the following fields of study:

Diana Deutsch mainly investigates Absolute pitch, Illusion, Acoustics, Speech recognition and Perception. The study incorporates disciplines such as Phrase and Communication in addition to Illusion. She combines subjects such as Relative pitch, Interval and Tone with her study of Speech recognition.

Her Tone research incorporates elements of Melody and Sequence. Her studies deal with areas such as Sound and Mandarin Chinese as well as Perception. Her Scale research includes elements of Cognitive psychology and Piano.

Between 2007 and 2021, her most popular works were:

  • Absolute pitch among students in an American music conservatory: Association with tone language fluency (87 citations)
  • Illusory transformation from speech to song. (66 citations)
  • Faster decline of pitch memory over time in congenital amusia (63 citations)

In her most recent research, the most cited papers focused on:

  • Linguistics
  • Cognition
  • Perception

Her main research concerns Acoustics, Absolute pitch, Musical acoustics, Speech recognition and Duration. Diana Deutsch combines subjects such as Linguistics, Mandarin Chinese, Psychoacoustics, Auditory illusion and Visual perception with her study of Acoustics. Her Absolute pitch research includes elements of Musical note and Musical.

As a part of the same scientific study, Diana Deutsch usually deals with the Musical acoustics, concentrating on Pitch and frequently concerns with Harmonic series, Pitch circularity, Semitone and Pitch class. Her Speech recognition research incorporates themes from Interval and Perception. Her research integrates issues of Communication, Superior temporal sulcus, Auditory feedback and Speech processing in her study of Illusion.

This overview was generated by a machine learning system which analysed the scientist’s body of work. If you have any feedback, you can contact us here.

Best Publications

Attention: Some theoretical considerations.

J. A. Deutsch;D. Deutsch.
Psychological Review (1963)

3122 Citations

The psychology of music

Diana Deutsch.
American Journal of Psychology (1983)

1786 Citations

Psychology and Music

Diana Deutsch.
(2019)

1532 Citations

Short-term memory

Eugene B. Zechmeister;Diana Deutsch;J. Anthony Deutsch.
(1975)

718 Citations

The Internal Representation of Pitch Sequences in Tonal Music

Diana Deutsch;John Feroe.
Psychological Review (1981)

549 Citations

Tones and numbers: specificity of interference in immediate memory.

Diana Deutsch.
Science (1970)

397 Citations

9 – The Processing of Pitch Combinations

Diana Deutsch.
Psychology of Music (1982)

397 Citations

Absolute pitch among American and Chinese conservatory students: prevalence differences, and evidence for a speech-related critical period.

Diana Deutsch;Trevor Henthorn;Elizabeth Marvin;HongShuai Xu.
Journal of the Acoustical Society of America (2006)

341 Citations

The processing of structured and unstructured tonal sequences

Diana Deutsch.
Attention Perception & Psychophysics (1980)

339 Citations

Absolute Pitch, Speech, and Tone Language: Some Experiments and a Proposed Framework

Diana Deutsch;Trevor Henthorn;Mark Dolson.
Music Perception (2004)

286 Citations

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