What is he best known for?
The fields of study he is best known for:
- Music
- Artificial intelligence
- Musical
Carol L. Krumhansl spends much of his time researching Cognitive psychology, Tonality, Melody, Speech recognition and Communication.
His Cognitive psychology study incorporates themes from Musical form, Music psychology, Musical and Dynamics.
His research in Music psychology intersects with topics in Musicality and Music and emotion.
His Tonality research incorporates elements of Musical syntax, Major and minor and Melodic expectation.
Carol L. Krumhansl interconnects Chord, Pitch and Timbre in the investigation of issues within Speech recognition.
His study looks at the intersection of Communication and topics like Diatonic scale with Music theory.
His most cited work include:
- Cognitive Foundations of Musical Pitch (1148 citations)
- Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. (670 citations)
- An exploratory study of musical emotions and psychophysiology. (659 citations)
What are the main themes of his work throughout his whole career to date?
Carol L. Krumhansl mainly investigates Cognitive psychology, Musical, Communication, Speech recognition and Music psychology.
The concepts of his Cognitive psychology study are interwoven with issues in Social psychology, Musical form, Pitch, Melody and Gesture.
Carol L. Krumhansl works mostly in the field of Melody, limiting it down to topics relating to Tonality and, in certain cases, Major and minor, Dynamics, Timbre, Melodic expectation and Musical syntax.
His work is dedicated to discovering how Musical, MOZART are connected with Phrase structure rules and other disciplines.
His work in Speech recognition addresses issues such as Diatonic scale, which are connected to fields such as Tritone.
Carol L. Krumhansl interconnects Music theory, Music and emotion and Cognitive science in the investigation of issues within Music psychology.
He most often published in these fields:
- Cognitive psychology (40.00%)
- Musical (22.73%)
- Communication (22.73%)
What were the highlights of his more recent work (between 2009-2021)?
- Cognitive psychology (40.00%)
- Musical (22.73%)
- Social psychology (8.18%)
In recent papers he was focusing on the following fields of study:
Carol L. Krumhansl mostly deals with Cognitive psychology, Musical, Social psychology, Music psychology and Active listening.
He works in the field of Cognitive psychology, namely Stimulus modality.
His research investigates the connection between Stimulus modality and topics such as Speech recognition that intersect with problems in Relative pitch.
His study in Musical is interdisciplinary in nature, drawing from both Linguistics, Style and Scale.
His Music psychology study also includes fields such as
- Period that intertwine with fields like Music listening and Visual arts,
- Music and emotion which connect with Music technology, Communication and Reminiscence bump.
His research investigates the connection between Cognitive science and topics such as Musicality that intersect with issues in Pitch.
Between 2009 and 2021, his most popular works were:
- Compatibility of motion facilitates visuomotor synchronization. (89 citations)
- A Theory of Tonal Hierarchies in Music (71 citations)
- Music to my eyes: cross-modal interactions in the perception of emotions in musical performance. (68 citations)
In his most recent research, the most cited papers focused on:
- Music
- Artificial intelligence
- Cognitive psychology
Cognitive psychology, Social psychology, Musical, Popular music and Nonverbal communication are his primary areas of study.
He merges Cognitive psychology with Synchronization in his study.
His work deals with themes such as Style, Point and CLIPS, which intersect with Social psychology.
His research in Musical intersects with topics in Variation, Absolute pitch and Scale.
The Popular music study combines topics in areas such as Context, Period, Reminiscence and Autobiographical memory.
The study incorporates disciplines such as Gesture, Movement, Music psychology and Active listening in addition to Nonverbal communication.
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