Stuart Cunningham is affiliated with Queensland University of Technology in Australia. Their research mainly spans the Social Sciences, with particular emphasis on subfields such as Sociology and Political Science, Urban Studies, Political Science and International Relations, Economics and Econometrics, and Infectious Diseases.
Their scholarly contributions frequently address topics related to Cultural Industries and Urban Development, Digital Games and Media, Digital Marketing and Social Media, Cinema and Media Studies, as well as China's Socioeconomic Reforms and Governance, Chinese history and philosophy, and Asian Culture and Media Studies.
Recent papers authored by Stuart Cunningham include:
They have also been involved in works in collaboration with other researchers, including a paper titled Producing local content in international waters: the case of Netflix's Tidelands (2021) published in Continuum, among other studies related to cultural policy and digital platforms.
Frequent collaborators in their research network include David Craig, Jian Lin, Alexa Scarlata, and Marion McCutcheon.
Stuart Cunningham's publications are often found in academic venues such as:
Among their book publications, they have authored titles such as Social Media Entertainment (2020), published by New York University Press eBooks, which has accumulated notable citations, and Wanghong as Social Media Entertainment in China (2021), published by Springer International Publishing.
Jason Potts;Jason Potts;Stuart Cunningham;John Hartley;Paul Ormerod
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Jason D. Potts;John Hartley;John A. Banks;Jean E. Burgess
John Hartley;Jason D. Potts;Stuart D. Cunningham;Terry Flew
Peter Coaldrake;Stuart D. Cunningham;Lawrence R. Stedman;Yoni Ryan
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