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Psychology

D-Index
32
Citations
3707
World Ranking
10982
National Ranking
5724

Overview

Peter Q. Pfordresher is affiliated with the University at Buffalo, State University of New York in the United States. Their research focuses broadly on the intersection of neuroscience, music perception, and audio processing, with a strong emphasis on cognitive neuroscience and experimental psychology.

Their recent publications include:

  • Globally, songs and instrumental melodies are slower and higher and use more stable pitches than speech: A Registered Report (2024, Science Advances)
  • The Prevalence and Correlates of Accurate Singing (2020, Journal of Research in Music Education)
  • Spontaneous Production Rates in Music and Speech (2021, Frontiers in Psychology)
  • Individuals with autism spectrum disorder are impaired in absolute but not relative pitch and duration matching in speech and song imitation (2021, Autism Research)
  • The Role of Long-Term Memory in Mental Transformations of Pitch (2020, Auditory Perception & Cognition)

Frequent co-authors who have collaborated extensively with Peter Q. Pfordresher include:

  • Siu-Lan Tan
  • Rom Harré
  • Emma B. Greenspon
  • Tim A. Pruitt
  • Andrea R. Halpern

Key venues where Peter Q. Pfordresher has published include:

  • Auditory Perception & Cognition
  • Music Perception An Interdisciplinary Journal
  • Attention Perception & Psychophysics
  • Psychological Research
  • Science Advances

Their main fields of study are Neuroscience and Computer Science, with subfields covering:

  • Cognitive Neuroscience
  • Signal Processing
  • Music
  • Experimental and Cognitive Psychology
  • Computer Vision and Pattern Recognition

Research topics addressed in their work span:

  • Neuroscience and Music Perception
  • Music and Audio Processing
  • Diverse Music Education Insights
  • Music Technology and Sound Studies
  • Phonetics and Phonology Research
  • Hearing Loss and Rehabilitation
  • Autism Spectrum Disorder Research

Best Publications

  • The somatotopy of speech: Phonation and articulation in the human motor cortex

    Steven Brown;Angela R. Laird;Peter Q. Pfordresher;Sarah M. Thelen

  • POOR-PITCH SINGING IN THE ABSENCE OF "TONE DEAFNESS"

    Peter Q. Pfordresher;Steven Brown

  • Enhanced production and perception of musical pitch in tone language speakers

    Peter Q. Pfordresher;Steven Brown

  • Incremental planning in sequence production.

    Caroline Palmer;Peter Q. Pfordresher

  • Psychology of Music: From Sound to Significance

    Siu-Lan Tan;Peter Pfordresher;Rom Harré

  • Imprecise singing is widespread

    Peter Q. Pfordresher;Steven Brown;Kimberly M. Meier;Michel Belyk

  • Singing Ability, Musical Self-Concept, and Future Music Participation.

    Steven M. Demorest;Jamey Kelley;Peter Q. Pfordresher

  • Native Experience with a Tone Language Enhances Pitch Discrimination and the Timing of Neural Responses to Pitch Change

    Ryan J. Giuliano;Peter Q. Pfordresher;Emily M. Stanley;Shalini Narayana

  • Effects of hearing the past, present, or future during music performance.

    Peter Q. Pfordresher;Caroline Palmer

  • Effects of delayed auditory feedback on timing of music performance.

    P. Q. Pfordresher;C. Palmer

  • Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing

    Peter Q. Pfordresher

  • Coordination of perception and action in music performance

    Peter Q. Pfordresher

  • Auditory feedback in music performance: the role of melodic structure and musical skill.

    Peter Q. Pfordresher

  • Tracking Musical Patterns using Joint Accent Structure

    Mari Riess Jones;Peter Q. Pfordresher

  • The Role of Melodic and Rhythmic Accents in Musical Structure

    Peter Q. Pfordresher

  • Temporal coordination in joint music performance: effects of endogenous rhythms and auditory feedback

    Anna Zamm;Peter Q. Pfordresher;Caroline Palmer

  • Speed, accuracy, and serial order in sequence production.

    Peter Q. Pfordresher;Caroline Palmer;Melissa K. Jungers

  • Auditory imagery and the poor-pitch singer.

    Peter Q. Pfordresher;Andrea R. Halpern

  • Vocal Imitation of Song and Speech.

    James T. Mantell;Peter Q. Pfordresher

  • The neural basis of vocal pitch imitation in humans

    Michel Belyk;Peter Q. Pfordresher;Mario Liotti;Steven Brown

  • Singing with yourself: evidence for an inverse modeling account of poor-pitch singing.

    Peter Q. Pfordresher;James T. Mantell

Frequent Co-Authors

Caroline Palmer
Caroline Palmer McGill University
Andrea R. Halpern
Andrea R. Halpern Bucknell University
Steven Brown
Steven Brown McMaster University
Mario Liotti
Mario Liotti University of Padua
Mari Riess Jones
Mari Riess Jones The Ohio State University
Isabelle Peretz
Isabelle Peretz University of Montreal
Peter E. Keller
Peter E. Keller University of Sydney
Iring Koch
Iring Koch RWTH Aachen University
Lauren Stewart
Lauren Stewart Goldsmiths University of London
Peter E. Turkeltaub
Peter E. Turkeltaub Georgetown University

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