What is she best known for?
The fields of study she is best known for:
- The Internet
- Artificial intelligence
- World Wide Web
Multimedia, Internet privacy, Human–computer interaction, Simulation and Everyday life are her primary areas of study.
Her work carried out in the field of Multimedia brings together such families of science as Camera phone, Order and Media space.
Abigail Sellen has researched Internet privacy in several fields, including Ethnography, Ideal, SAFER, Value and Beauty.
The concepts of her Human–computer interaction study are interwoven with issues in Sociotechnical system, Interaction technique and Scope.
Her Simulation research incorporates elements of Input device, Task, Personality, Focus group and Reflection.
Her Everyday life study integrates concerns from other disciplines, such as Incident monitoring, Medical emergency and Pediatrics.
Her most cited work include:
- The Myth of the Paperless Office (784 citations)
- Dealing with mobility: understanding access anytime, anywhere (506 citations)
- Design for privacy in ubiquitous computing environments (497 citations)
What are the main themes of her work throughout her whole career to date?
Abigail Sellen mainly investigates Multimedia, Human–computer interaction, World Wide Web, Artificial intelligence and Computer vision.
Abigail Sellen has included themes like Annotation, Digital media and Gesture in her Multimedia study.
Her research integrates issues of Key, Focus and Set in her study of Human–computer interaction.
Her study connects Internet privacy and World Wide Web.
Her Artificial intelligence study often links to related topics such as Machine learning.
Her research on Computer vision often connects related topics like Computer graphics.
She most often published in these fields:
- Multimedia (18.12%)
- Human–computer interaction (18.12%)
- World Wide Web (14.29%)
What were the highlights of her more recent work (between 2014-2021)?
- Artificial intelligence (13.94%)
- Computer vision (9.41%)
- Human–computer interaction (18.12%)
In recent papers she was focusing on the following fields of study:
The scientist’s investigation covers issues in Artificial intelligence, Computer vision, Human–computer interaction, Multimedia and Motor dysfunction.
Her Artificial intelligence study incorporates themes from Real-time computing, Machine learning and Order.
Her Human–computer interaction research includes elements of Input device, Cursor, Key, Focus and Gesture.
The study incorporates disciplines such as Software deployment, Annotation, Point, Data science and Tracking in addition to Multimedia.
Abigail Sellen combines subjects such as Mode, User expectations and Everyday life with her study of World Wide Web.
Her research investigates the connection between Videoconferencing and topics such as Internet privacy that intersect with problems in Affordance.
Between 2014 and 2021, her most popular works were:
- "Like Having a Really Bad PA": The Gulf between User Expectation and Experience of Conversational Agents (379 citations)
- Being Human: Human-Computer Interaction in the Year 2020 (163 citations)
- Pre-Touch Sensing for Mobile Interaction (73 citations)
In her most recent research, the most cited papers focused on:
- The Internet
- Artificial intelligence
- World Wide Web
Her primary areas of study are Human–computer interaction, Artificial intelligence, Gesture, Computer vision and Point.
Her work deals with themes such as Annotation, Key, Leverage and Asynchronous communication, which intersect with Human–computer interaction.
Her studies deal with areas such as Consistency and Scalability as well as Artificial intelligence.
As part of the same scientific family, Abigail Sellen usually focuses on Computer vision, concentrating on Usability and intersecting with User experience design, Task, Gaze and Session.
Her Point research integrates issues from Control, Multimedia and Emerging technologies.
Her study in Multimedia is interdisciplinary in nature, drawing from both Digital media, Media management, Affordance, Identity and Early adopter.
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