The chart shows the distribution of publications by all Research.com ranked scientists in the field of Ecology and Evolution in 2026. The highlighted bar marks where Morten Søndergaard sits on this spectrum.
This scientist: 119 publications — 32nd percentile
32% of scientists in this discipline score the same or lower.
The last bar groups every scientist with 531 publications or more.
The chart shows the D-index (discipline H-index) distribution of Ecology and Evolution scientists ranked by Research.com in 2026. The highlighted bar marks where Morten Søndergaard sits on this spectrum.
This scientist: 47 D-Index — 49th percentile
49% of scientists in this discipline score the same or lower.
The last bar groups every scientist with 121 D-Index or more.
Morten Søndergaard is affiliated with the University of Copenhagen in Denmark. Their research spans multiple interdisciplinary domains, blending technology, art, and human interaction. The scientist's work explores a range of topics including music technology and sound studies, aesthetic perception and analysis, and innovative human-technology interaction. Their scholarly contributions also intersect with visual culture and art theory, alongside research on slime mold and myxomycetes.
The researcher has contributed papers published across a variety of venues. Notable recent publications include:
The scientist frequently publishes in the venue Electronic workshops in computing, with a total of five works appearing there. Other publication venues include Leonardo Music Journal, Artnodes, Periskop - Forum for kunsthistorisk debat, and Research Portal (King's College London).
Collaborations are a significant aspect of the scientist's work. Frequent co-authors include Laura Beloff, Hassan Choubassi, Andrea Olmos, Gabriele Gramelsberger, and Joe Elias. These collaborators have contributed alongside Søndergaard on multiple occasions, underscoring an active participation in collaborative academic networks.
The scientist's research engages with subfields such as computer vision and pattern recognition, cognitive neuroscience, human-computer interaction, visual arts and performing arts, and biomedical engineering. These areas reflect their multidisciplinary approach to investigating the relationships between human experience, technology, and artistic expression.
Linda Jørgensen;Linda Jørgensen;Colin A. Stedmon;Theis Kragh;Stiig Markager
M. Søndergaard;M. Middelboe
Kaj Sand‐Jensen;Morten Søndergaard
Kirsten Christoffersen;Bo Riemann;Annette Klysner;Morten Søndergaard
Kaj Sand‐Jensen;Morten Søndergaard
Morten Søndergaard;Colin A. Stedmon;Niels Henrik Borch
Morten Søndergaard;Kaj Sand-Jensen
Mathias Middelboe;Morten Sondergaard;Y. Letarte;N. H. Borch
Morten Søndergaard;Peter J. le B. Williams;Gustave Cauwet;Bo Riemann
Jakob Worm;Morten Søndergaard
Lone Liboriussen;Frank Landkildehus;Mariana Meerhoff;Mette E. Bramm
Bo Riemann;Morten Søndergaard
Kaj Sand‐Jensen;Niels Lagergaard Pedersen;Morten Søndergaard
Bo Riemann;Morten Søndergaard
Colin A. Stedmon;Stiig Markager;Morten Søndergaard;Torben Vang
Morten Søndergaard;Bo Riemann;Niels O. G. Jørgensen
Bent H. Hygum;Jørgen W. Petersen;Morten Søndergaard
Robert G. Wetzel;Morten Søndergaard
Mathias Middelboe;Morten Søndergaard
Morten Søndergaard;Benni Hansen;Stiig Markager
Bo Riemann;Morten Søndergaard
Stiig Markager;Colin A. Stedmon;Morten Søndergaard
Jon Theil-Nielsen;Morten Søndergaard
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