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Psychomusicology: Music, Mind, and Brain
H-index 6

Psychomusicology: Music, Mind, and Brain

0275-3987

Published by: American Psychological Association

https://www.apa.org/pubs/journals/pmu

Ranking & Metrics

Discipline name Position Best Scientists Publications D-Index
Psychology 975 15 12 6

Additional Metrics

Number of Best Scientists*: 20
Documents by Best Scientists*: 14
Top 100 Ranked Scientists*: 0
SCIMAGO H-index:
SCIMAGO SJR:
Impact Factor: 1.2

Overview

Top Research Topics at Psychomusicology: Music, Mind and Brain?

The journal generally zeroes in on subjects such as Cognitive psychology, Musical, Music psychology, Perception and Cognitive science. The studies in Cognitive psychology featured incorporate elements of Social psychology, Active listening, Cognition, Music and emotion and Auditory perception. Sadness, Affect (psychology), Feeling and Valence (psychology) are Social psychology topics of special interest in the journal.

Most of the works presented in it deals with Music and emotion but it intersects with the subject of Musicality. While Psychomusicology: Music, Mind and Brain focused on Musical, it was also able to explore topics like Improvisation, Singing and Period (music). While Singing is the focus of Psychomusicology: Music, Mind and Brain, it also provided insights into the studies of Vocal music and Choir.

Psychomusicology: Music, Mind and Brain focuses on Music psychology but the discussions also offer insight into other areas such as Music therapy and Music history. While Psychomusicology: Music, Mind and Brain focused on Perception, it was also able to explore topics like Loudness, Timbre and Rhythm. Research on Melody addressed in Psychomusicology: Music, Mind and Brain frequently intersections with the field of Speech recognition.

  • Cognitive psychology (44.13%)
  • Musical (28.57%)
  • Music psychology (19.37%)

What are the most cited papers published in the journal?

  • Ever-changing cycles of musical pleasure: The role of dopamine and anticipation. (79 citations)
  • Expressive timing and dynamics in infant- directed and non-infant-directed singing (52 citations)
  • Individual differences in rhythmic ability: Behavioral and neuroimaging investigations. (47 citations)

Research areas of the most cited articles at Psychomusicology: Music, Mind and Brain:

The journal publications focus on Cognitive psychology, Social psychology, Singing, Cognitive science and Developmental psychology. While Cognitive psychology is the focus of the published articles, it also provides insights into the studies of Musical, Music and emotion, Perception and Active listening. The Social psychology research presented in the most cited publications focuses mostly on Music psychology and, on occasion, topics in Incentive salience and Anticipation.

What topics the last edition of the journal is best known for?

  • Cognition
  • Social psychology
  • Music

The previous edition focused in particular on these issues:

The journal mainly tackles studies in Developmental psychology, Cognitive psychology, Musical, Visual arts and Perception. Topics in Developmental psychology explored in Psychomusicology: Music, Mind and Brain were investigated in conjunction with research in Exploratory research and Music perception. Cognitive psychology research featured in Psychomusicology: Music, Mind and Brain incorporates concerns from various other topics such as Experience sampling method, Singing, Rhythm, Everyday life and Mental control.

Musical research presented in it encompasses a variety of subjects, including Mental health and Neuroticism. The journal focused on Perception research but expanded to cover Interval (music).

The most cited articles from the last journal are:

  • Neuroticism, musical emotion regulation, and mental health. (0 citations)
  • Interpreting the tonal hierarchy through corpus analysis. (0 citations)
  • Dynamic resting-state functional connectivity and pitch identification ability in nonmusicians. (0 citations)

Papers citation over time

A key indicator for each journal is its effectiveness in reaching other researchers with the papers published at that venue.

The chart below presents the interquartile range (first quartile 25%, median 50% and third quartile 75%) of the number of citations of articles over time.

The top authors publishing in Psychomusicology: Music, Mind and Brain (based on the number of publications) are:

  • Annabel J. Cohen (11 papers) absent at the last edition,
  • Bruno H. Repp (11 papers) absent at the last edition,
  • Roger T. Dean (8 papers) absent at the last edition,
  • Tuomas Eerola (6 papers) absent at the last edition,
  • Freya Bailes (5 papers) absent at the last edition.

The overall trend for top authors publishing in this journal is outlined below. The chart shows the number of publications at each edition of the journal for top authors.

Only papers with recognized affiliations are considered

The top affiliations publishing in Psychomusicology: Music, Mind and Brain (based on the number of publications) are:

  • Goldsmiths, University of London (10 papers) absent at the last edition,
  • University of Jyväskylä (9 papers) absent at the last edition,
  • Technical University of Berlin (7 papers) absent at the last edition,
  • University of Sheffield (6 papers) absent at the last edition,
  • University of Western Sydney (5 papers) absent at the last edition.

The overall trend for top affiliations publishing in this journal is outlined below. The chart shows the number of publications at each edition of the journal for top affiliations.

Publication chance based on affiliation

The publication chance index shows the ratio of articles published by the best research institutions in the journal edition to all articles published within that journal. The best research institutions were selected based on the largest number of articles published during all editions of the journal.

The chart below presents the percentage ratio of articles from top institutions (based on their ranking of total papers).Top affiliations were grouped by their rank into the following tiers: top 1-10, top 11-20, top 21-50, and top 51+. Only articles with a recognized affiliation are considered.

During the most recent 2021 edition, 87.50% of publications had an unrecognized affiliation. Out of the publications with recognized affiliations, 0.00% were posted by at least one author from the top 10 institutions publishing in the journal. Another 0.00% included authors affiliated with research institutions from the top 11-20 affiliations. Institutions from the 21-50 range included 0.00% of all publications and 100.00% were from other institutions.

Returning Authors Index

A very common phenomenon observed among researchers publishing scientific articles is the intentional selection of journals they have already attended in the past. In particular, it is worth analyzing the case when the authors participate in the same journal from year to year.

The Returning Authors Index presented below illustrates the ratio of authors who participated in both a given as well as the previous edition of the journal in relation to all participants in a given year.

Returning Institution Index

The graph below shows the Returning Institution Index, illustrating the ratio of institutions that participated in both a given and the previous edition of the conference in relation to all affiliations present in a given year.

The experience to innovation index

Our experience to innovation index was created to show a cross-section of the experience level of authors publishing in a journal. The index includes the authors publishing at the last edition of a journal, grouped by total number of publications throughout their academic career (P) and the total number of citations of these publications ever received (C).

The group intervals were selected empirically to best show the diversity of the authors' experiences, their labels were selected as a convenience, not as judgment. The authors were divided into the following groups:

  • Novice - P < 5 or C < 25 (the number of publications less than 5 or the number of citations less than 25),
  • Competent - P < 10 or C < 100 (the number of publications less than 10 or the number of citations less than 100),
  • Experienced - P < 25 or C < 625 (the number of publications less than 25 or the number of citations less than 625),
  • Master - P < 50 or C < 2500 (the number of publications less than 50 or the number of citations less than 2500),
  • Star - P ≥ 50 and C ≥ 2500 (both the number of publications greater than 50 and the number of citations greater than 2500).

The chart below illustrates experience levels of first authors in cases of publications with multiple authors.

Potential Career Paths for those Interested in Psychomusicology

A career in psychomusicology offers a wide range of possibilities for individuals with a keen interest in understanding the psychological processes associated with music. One such potential path is becoming a music therapist, where knowledge of music's emotional and cognitive effects can be pivotal. Another exciting career alternative in this field is Speech Language Pathology. This profession involves evaluating and treating communication and swallowing disorders. These professionals often work in tandem with music therapists, leveraging the cognitive developments generated from music therapy to augment their treatment plans. Those interested should look into the specific prerequisites for this career, such as the speech pathologist requirements in Maryland. Of course, academic and research opportunities also abound in institutions worldwide for individuals attracted to the theoretical aspects of psychomusicology. With disciplines ranging from cognitive psychology to music history all intersecting with psychomusicology, potential research topics are diverse and plentiful. No matter the path chosen, careers within the realm of psychomusicology are both challenging and rewarding, offering plenty of opportunities for individuals to make significant contributions to our understanding of music's intertwined relationship with the human mind and emotions.

Top Publications

  • Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances.

    Kelly Jakubowski;Tuomas Eerola;Arwen Blackwood Ximenes;Wai K. Ma

    (2020)
    15 Citations
  • Empirical test of aesthetic experience using the affect-space framework.

    Emery Schubert;David J. Hargreaves;Adrian C. North

    (2020)
    9 Citations
  • Do singing and talking arise from the same or different neurological systems? Dissociations of pitch, timing, and rhythm in two dysprosodic singers.

    (2021)
    8 Citations
  • Song properties and familiarity affect speech recognition in musical noise.

    (2022)
    7 Citations
  • Neuro-oscillatory tracking of low- and high-level musico-acoustic features during naturalistic music listening: Insights from an intracranial electroencephalography study.

    Diana Omigie;Diana Omigie;Katia Lehongre;Vincent Navarro;Claude Adam

    (2020)
    6 Citations
  • Characterizing experiences of music-evoked visual imagery in high prevalence contexts.

    Robina A. Day;William Forde Thompson;Simon Boag

    (2020)
    6 Citations
  • Aspects of music performance that are most highly related to musical sophistication.

    J. Diana Zhang;Emery Schubert;Gary E. McPherson

    (2020)
    5 Citations
  • Dynamic resting-state functional connectivity and pitch identification ability in nonmusicians.

    Jiancheng Hou;Chuansheng Chen

    (2021)
    2 Citations
  • Not just cents: Physical and psychological influences on interval perception.

    Pedro A. S. O. Neto;Anja-X. Cui;Paula Rojas;Patrícia Vanzella

    (2021)
    2 Citations
  • Mental control of musical imagery in the lab and everyday life: Combining behavioral and experience-sampling approaches.

    (2021)
    2 Citations

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Best Scientists Contributing to This Journal